This is more about playing style-technique than the sound itself. If you want to debate that, look at how many records with "Rhodes" sounds were really made with a DX-7 or similar-ish synth. We accept the synth as a Rhodes because the player is doing the Steely Dan thing so well.
Here, it seems to me that in many places the Rhodes is running parallel with a B3 - a common technique in Fusion.
Here, it seems to me that in many places the Rhodes is running parallel with a B3 - a common technique in Fusion.
Statistics: Posted by Benedict — Sat Jan 25, 2025 1:43 am